The term Brutalism, or New Brutalism, was coined to describe an emerging international style of architecture in the early 1950s. The name referenced Le Corbusier’s use of “béton brut,” or unfinished concrete, and described large, usually government or institutional buildings characterized by the rejection of Beaux-Arts styles. A relatively cheap way to build, Brutalism grew popular in post-war Europe and emerging countries like India and the eastern bloc. But architects were looking for more than cost cutting: for many, Brutalism represented a rejection of bourgeois comforts and pretense. The movement emphasized the valuation of existing materials (no paint, no dressings), the importance of image (an imposing presence) and the “clear exhibition of structure” to lay bare a building’s function.
[REPOST] People want to tear down these architectural masterpieces because they’re too depressing
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